peter luget plotter drawing 1965 programming

#Peter luget plotter drawing 1965 programming movie#
#Peter luget plotter drawing 1965 programming generator#

The news coverage punctured Australian smugness, borne of ignorance, that racism did not exist in Australia.

The campaigners drew parallels with civil rights movements elsewhere in the world, especially the United States. The central role of the film camera in this campaign demonstrated the growing sophistication of activists who recognised the need to show city dwellers what was happening in country towns. Film footage shocked city viewers, adding to the mounting pressure on the government. Such evidence was beamed into the living rooms of Australians with the evening news. Darce Cassidy recorded the angry conversations and filed a report to the ABC.Ĭaptured on tape was the vice-president of the Walgett Returned Service League Club who said he would never allow an Aboriginal to become a member.

#Peter luget plotter drawing 1965 programming movie#

Outside Walgett Jim Spigelman trained his home movie camera on the hostile convoy of cars which followed the bus out of town at night and ran it off the road. They not only challenged these practices, but they ensured that reports of their demonstrations and local townspeople's hostile responses were available for news broadcasts on radio and television. 'Sure Cuts A Lot Pro' is an extremely easy program to allow you to cut virtually any shape with your electronic cutting machines, vinyl cutters and plotters. The students demonstrated against racial discrimination practised at the Walgett Returned Services League, the Moree Baths, the Kempsey Baths and the Boraville picture theatre. They were frequently refused service in shops and refused drinks in hotels. In the towns Aboriginal people were routinely barred from clubs, swimming pools and cafes. Students were shocked at the living conditions which Aboriginal people endured outside the towns. The Freedom Ride, as it came to be called, included visits to Walgett, Gulargambone, Kempsey, Bowraville and Moree. Police and locals confront the students at Moree This led to the planning of a fact-finding trip to western New South Wales towns so students could see for themselves the conditions of life for Aboriginal people. In 1964 a University of Sydney protest against racial segregation in the United States had brought comments from members of the public urging students to look to their own backyard if they wanted to draw attention to racial discrimination. The group included Ann Curthoys who would later write a history of these events, Jim Spigelman who would later become Chief Justice of the Supreme Court of New South Wales and Darce Cassidy, an arts student who was also a part-time reporter for the ABC. The students had formed into a body called Student Action for Aborigines (SAFA) in 1964 to plan this trip and ensure media coverage.Ĭharles Perkins, an Arrernte and Kalkadoon man born in Alice Springs, who was a third year arts student at the university, was elected president of SAFA.

And they also wished to encourage and support Aboriginal people themselves to resist discrimination. They hoped to point out and help to lessen the socially discriminatory barriers which existed between Aboriginal and white residents. The students planned to draw public attention to the poor state of Aboriginal health, education and housing. In February 1965 a group of University of Sydney students organised a bus tour of western and coastal New South Wales towns. Pigment liner 0.Student Action for Aborigines bus at Boggabilla 029 Pearlescent pigments (Königsgold) on Hahnemühle paper, natural white, 170g/m 2 | 30cm x 30cm, printed area: ~18cm x ~18cmĪrchival ink on Hahnemühle paper, natural white, 170g/m 2 | 30cm x 30cm, printed area: ~18cm x ~18cm Pearlescent pigments (Königsgold) on Hahnemühle paper, natural white, 170g/m 2 | 30cm x 30cm, printed area: ~18cm x ~18cm

Indian ink on Hahnemühle paper, natural white, 170g/m 2 | 30cm x 30cm, printed area: ~20cm x ~20cm Pearlescent pigments used: “ Malkasten M6”

#Peter luget plotter drawing 1965 programming generator#

The prints are named based on the processes used to generate them: the part prefixed by “v” refers to the basic generator type, and the x is a variation number which refers to the small changes in code I made for each drawing. Each plotter drawing is unique, even if some are generated using the same or similar piece of generative code.